So, hitting R2 on a Mark III with a clean boost is...
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jpdennis
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On my Mark III it is like switching to Bold on my Heartbreaker and how I attack the strings determines how much umph I get in R2 mode. Without it is like switching to Curvatious.
Dennis
Dennis
mboogman
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zachman said:
Nice to see you around these parts too Zach.
I've seen quite a bit of R-T spillover here. And yeah, R2 is pretty great. I'm using my Barber LTD, set 3:00, 5:00, 9:00 (level, tone, gain) and it's perfect. Super tight, but not brittle or harsh. The Barber is actually super quite for boosting. Not nearly as much noise as I would have expected.
mboogman said:zachman said:
Nice to see you around these parts too Zach.
And yeah, R2 is pretty great. I'm using my Barber LTD, set 3:00, 5:00, 9:00 (level, tone, gain) and it's perfect. Super tight, but not brittle or harsh. The Barber is actually super quite for boosting. Not nearly as much noise as I would have expected.
Aloha,
:wink: I use an old EHX LPB2
The intro on this and the crunch parts are the MKIII Coliseum on R2 w/ the Boost
http://www.youtube.com/watch?v=HJfKjEhkyco
http://www.youtube.com/watch?v=HJfKjEhkyco
i hit my lead channel of my mark2b with a Fulltone Fatboost III
this is my favorite tone to date.
get the lead channel setup for just the perfect solo tone, then back off the gain (both pre and post) a couple of notches, so your almost into rhythm mode....
then kick in the boost.
voila.
instant 'more'.
this is my favorite tone to date.
get the lead channel setup for just the perfect solo tone, then back off the gain (both pre and post) a couple of notches, so your almost into rhythm mode....
then kick in the boost.
voila.
instant 'more'.
