olcottke said:thejay - why will you move up to the RK? do you need the Prog linkage and cabinet switching? or is there something in the tone that is appealing over the Roadster?
echoes420 said:I never did understand Mesa's logic in the pricing of the RK II vs. The Roadster...
By that I mean that the RK is certainly worth the $2800 they ask for it, but I feel it is too much more expensive than the Roadster. I think Mesa would sell many more RK's if the price of the Roadster was a little more comparable... like $2300... and here is why.
When you examine the couple of extra options that you get for a whopping $800, it will make most anyone question it. Now on the opposite side of that... compare a 3 channel DR to the Roadster... the price difference in those two great amps is only $200 and the Roadster has an extra channel,(which is worth at least $200 if you ask me) tube reverb, power options, brit mode... the differences in options on the two amps barely put them in the same ball park.
From what I understand, the only difference in the RK and the Roadster is those 2 options... they are really cool options, but honestly, not worth the $800. I say buy a Roadster and a set of EL34s to have for recording purposes. Because live, the only person that is going to be able to tell you aren't running 6L6s is you.
echoes420 said:I never did understand Mesa's logic in the pricing of the RK II vs. The Roadster...
By that I mean that the RK is certainly worth the $2800 they ask for it, but I feel it is too much more expensive than the Roadster. I think Mesa would sell many more RK's if the price of the Roadster was a little more comparable... like $2300... and here is why.
When you examine the couple of extra options that you get for a whopping $800, it will make most anyone question it. Now on the opposite side of that... compare a 3 channel DR to the Roadster... the price difference in those two great amps is only $200 and the Roadster has an extra channel,(which is worth at least $200 if you ask me) tube reverb, power options, brit mode... the differences in options on the two amps barely put them in the same ball park.
From what I understand, the only difference in the RK and the Roadster is those 2 options... they are really cool options, but honestly, not worth the $800. I say buy a Roadster and a set of EL34s to have for recording purposes. Because live, the only person that is going to be able to tell you aren't running 6L6s is you.
Given To Fly said:Since we are playing with pretend money I would buy both.
Given To Fly said:I own a Roadster and have played a Road King II enough to know my way around. Since we are playing with pretend money I would buy both. Here's why:
The Roadster may be the better sounding of the two amps, though by a margin that honestly makes almost no difference (I'm referring to the 2x12 combo for each amp). It's complex enough to keep you interested but won't scare you away. Once you are familiar with the controls and how to dial in the tone you want (doesn't happen right away) it really is a "plug in and play amp."
The Road King II is the kind of amp you almost have to program. Does it sound amazing? Yes! But there are some many tonal options its hard to focus in on a single tone you really like. Thats one reason I think the Roadster may sound better overall; 4 great sounding channels each with 3 modes vs. 4 great sounding channels each with 3 modes, 6 power tube options per channel, 3 speaker selection options per channel, etc.
At the same time, this enormous complexity could keep you occupied for months if not years exploring its full capabilities. The reason this is a benefit and not an annoyance is because nearly every tone you dial in is genuinely usable. Its not like a digital modeler where 90% of the presets are never used, from what I've tried with the Road King II every sound has had potential. I think it just takes a really long time to figure out what tones you want to use.
For live use I think the Roadster would be more practical, for studio use I think the Road King II would be the only amp you'd ever need.
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