The Boogie Board

Discussion Forum for Mesa Boogie Products
It is currently Fri Jul 21, 2017 11:51 pm

All times are UTC - 6 hours [ DST ]




Post new topic Reply to topic  [ 99 posts ]  Go to page Previous  1 ... 3, 4, 5, 6, 7  Next
Author Message
PostPosted: Mon May 24, 2010 7:58 am 
Offline
Mark II
User avatar

Joined: Wed Aug 15, 2007 10:18 am
Posts: 71
Location: sebring florida
Heres some recent pics of my humble little studio. you can check out some of my work at www.burnstudios.com and http://myspace.com/burnstudios
Image
Image
Image
Image
Image
Image
Image

_________________
Mesa Boogie Single Rec / 2x12 Guitar cab loaded with Eminence Texas Heats / Dean Strat copy Dimarzio super in the bridge / Seymour Duncan hot rail in the neck.
http://www.burnstudios.com


Top
 Profile  
 
PostPosted: Mon Jul 05, 2010 2:33 pm 
Offline
Mark III

Joined: Sat Sep 27, 2008 1:54 am
Posts: 193
Location: Garage Studio
Image

Image

Image

Image

Image

_________________

Mesa Boogie Mini Rectifier
2008 PRS Mira
2009 PRS Mira
TC Electronic G System
Maxon OD808
CAD Wah
Boss NS2
TC Polytune

http://www.youtube.com/acejcra
http://www.myspace.com/acefully


Top
 Profile  
 
PostPosted: Fri Jul 23, 2010 11:47 am 
Offline
Bottle Rocket
User avatar

Joined: Thu Jul 22, 2010 11:50 am
Posts: 16
Location: Michigan
Some nice setups in here,I am using a firebox rokit 8's a rokit 10" sub sonar 8 producer dfh and a bunch of plugins,its a mess rite now I know LOL!
I just got my mark iv so I will be using that but I used to use the line 6 vetta II HD.
Image
Image

_________________
Ibanez shredmiester


Top
 Profile  
 
PostPosted: Fri Dec 17, 2010 4:25 pm 
Offline
Mark IV

Joined: Thu Mar 25, 2010 9:30 pm
Posts: 643
I use Logic Express 9, Apogee Duet, Shure SM57s, American Deluxe Strats and Gibson SG Standards, my Roadster head, into a Rivera Silent Sister. It works great.


Top
 Profile  
 
PostPosted: Thu Jan 06, 2011 10:25 pm 
Offline
Bottle Rocket

Joined: Mon Sep 06, 2010 1:46 pm
Posts: 7
(3)Presonus Firepods
Gateway lap top running Cubase SX3
SAC-2K control surface
Avalon 737 pre
Monitors:(small)JBL LSR 25P
(Large)Meyer833 powered by McIntosh2300


Top
 Profile  
 
 Post subject: Re:
PostPosted: Sun Mar 27, 2011 7:22 am 
Offline
Bottle Rocket
User avatar

Joined: Sun Mar 14, 2010 4:32 pm
Posts: 7
Eric wrote:
for practice, boss pedal board into sound card with ableton. I dont have any mics.


Me too..This is how I have mine set up...

M Audio Fast Track Ultra 8r (for my soundcard)
M Audio Profire 2626 (for my soundcard)
TC Helicon Voiceworks (for vocals)
Boss GT 10 (for guitars and basses)
Roland TD12k (for my drums)
Pro Tools 8
M Audio Axiom Keyboard

The only time I use a mic is for vocals and I use a Shure SM 58 for that.


Top
 Profile  
 
PostPosted: Mon Aug 15, 2011 5:36 pm 
Offline
Bottle Rocket

Joined: Tue Aug 22, 2006 11:04 pm
Posts: 12
Location: San Diego, CA
I usually work in a Studio with lots of Gear, but at home I have this:

Interface: Apogee Duet 2(just got it. Sounds great)

Monitors: Focal CMS40's
Focal CMS Sub
KRK V8's (Old ones, not the VXT's)
Cue 5 Cheapos

Outboard Gear:
not much at home, but I have a Summit TLA-50 and a Vintech X73i Channel Strip that I use when tracking a vocalist/doing overdubs here.

Mics stashed at home:
Granelli 5790
SM7b
MD421
Royer R-101 (which I LOVE)
Shure KSM44 x2
Audio Technica AE3000's (I usually use these for toms, but I actually also love them for guitar and room mics)

Programs:
Pro Tools 9
Logic
Reaper
BIAS Peak Studio

Plug-ins:
Waves Gold, Rennaissance, API, SSL, and CLA Compressors
T-Racks
Native Instruments Prism, Absynth, Massive

Here's a song with some of this gear on it, though it was mixed on an SSL:
http://soundcloud.com/jeffmeredithmixin ... nitial-mix


Last edited by DTJPPR on Mon Aug 15, 2011 7:20 pm, edited 2 times in total.

Top
 Profile  
 
PostPosted: Mon Aug 15, 2011 6:10 pm 
Offline
Donating Member
User avatar

Joined: Mon Jan 24, 2005 4:57 pm
Posts: 4441
Location: South of Heaven
What I have...

SM57
M-Audio Fast Track
MacBook Pro

Garage Band
EZ Drummer


What I want...

SM57 + Another Mic
Apogee Duet 2
MacBook Pro

Logic
Superior Drummer

Once I make it to that state well see where things take me.

_________________
Ignore the hype and trust your ears. Play more, buy less = better tone.

| Les Paul | McCarty | CE22 | SC245 |
| D800 | Dual Rectifier | Electra Dyne | Rectoverb:25 | Strategy Eight:88 |
| Powerhouse 410 | Recto 1x12, 2x12, 4x12 | Subway 112, 115 |


Top
 Profile  
 
PostPosted: Wed Oct 12, 2011 4:38 am 
Offline
Bottle Rocket

Joined: Mon Jun 27, 2011 2:49 am
Posts: 10
Location: The Netherlands
- Macbook Pro
- Logic Pro 9
- Piece of sh*t e-drum kit w/ Superior Drummer 2.0 for drums (sounds awesome btw)
- Shure SM57 for guitars
- Shure SM58 for vocals
- Amplitube Ampeg SVX for bass

_________________
Mark III red stripe DRG medium head
DIY 1x12 cabinet with vintage EVM12L


Top
 Profile  
 
PostPosted: Tue Feb 28, 2012 12:29 pm 
Offline
Mark II
User avatar

Joined: Sun Dec 10, 2006 9:21 am
Posts: 126
Location: Ohio
My setup is:

Alesis HD24
Mackie 16 ch mixer
Presonus EQ / compressor / preamp
Kurzweil Rumor effects processor
Shure KSM44 dynamic mic
Shure Beta 58
Shure 57


That's about it. I only get mediocure results and think I should get better. I mix directly to CD from the Mackie doing all the fades and whatever in real time. The hardest thing is getting a good tight bass and kick drum to set together in the mix.
Currently I am recording a new batch of songs and want to get a better result than in the past, so I'm open to suggestions. :oops:

_________________
Tone is in the AMP ! !1 !!


Top
 Profile  
 
PostPosted: Thu May 31, 2012 2:58 pm 
Offline
Bottle Rocket
User avatar

Joined: Thu May 31, 2012 2:43 pm
Posts: 5
Location: Sunnyvale, CA
Here is my setup:

Hardware:
• E-MU PARIS Pro 24bit recording system with C16 Pro Controller
• Behringer Euro Desk MX 9000 mixing console
• Event 20-20 bi-amplified studio monitors
• Microphones: AKG, Shure, Electrovoice, Audix
• Korg Triton ProX 88 key music workstation keyboard
• Yamaha EX5-R rackmount workstation sound module

Audio Software:
• Cakewalk Sonar X1 Producer Edition
• Propellerhead Reason 5 & Recycle 2
• Steinberg Wavelab 6
• Exstensive collection of VST instruments, software synths, sound libraries, audio & drum loops, and plug-ins
• Sony CD Architect

Video Software:
• Sony Vegas Pro 11 HD
• Sony DVD Architect


Top
 Profile  
 
PostPosted: Sun Jun 10, 2012 8:49 pm 
Offline
Donating Member
User avatar

Joined: Fri Mar 06, 2009 1:03 pm
Posts: 900
Location: Minneapolis, MN
I'm currently upgrading my rig!

Previous Rig
Pro-Tools 9
M-Audio ProjectMix
ART MP pres
KRK Rokit 8s
SM57, AKG 414, SM7, Sterling Audio ST66

New Rig
Pro-Tools 9
UA Apollo w/UA plugs (studer a800, Trident EQ, Manley EQ, Fatso)
UA 6176
KRK Rokit 8s
SM57, AKG 414, SM7, Sterling Audio ST66

_________________
Mesa Simul-Class 2:Ninety; Mesa/Boogie OS Cabs
OFFICIAL REDSKY WEBSITE
REDSKY ON FACEBOOK


Top
 Profile  
 
PostPosted: Thu Feb 07, 2013 11:47 pm 
Offline
Mark III

Joined: Thu Feb 07, 2013 10:45 pm
Posts: 221
For classical guitar I use a matched stereo pair of sE Electronics sE1aSP SDC -> Apogee Duet 2 -> MackBook Pro running Pro Tools 10. When I mic my Roadster I use a Sennheiser e906. Its a work in progress.


Top
 Profile  
 
PostPosted: Wed Feb 20, 2013 2:26 pm 
Offline
Mark IV
User avatar

Joined: Sun Feb 13, 2005 1:10 pm
Posts: 827
Location: Portland, OR
Stripped it down quite a bit recently.

Image

_________________
http://www.reverbnation.com/IntoShadow

http://www.facebook.com/intoshadow


Guitars --->Rubber Chicken


Top
 Profile  
 
PostPosted: Fri Apr 26, 2013 2:03 pm 
Offline
Mark I
User avatar

Joined: Wed Apr 24, 2013 7:56 pm
Posts: 23
Location: Currently Locked In A Studio
Before I start, I need to say that the music played is heavy modern rock with a little commercial twist. Think Tool and Dream Theater meet the Foo Fighters! We like to be complex and heavy, but we like it when most people (not just musicians) can relate to what we are trying to express...there is always a line between the two. sometimes we can combine them, sometimes one side wins over the other.

Here is a basic view of the signal path

Guitar out into a 3 way splitter. A/B/C

A- feeds a tri/290 rig and a recto 4x12 closed mic off the cone and off center with a Royer 121.

B- feeds any number of other boogie rigs like a Quad/295 with 2x12 open back cabs and another matched pair Royer 121. It could also go into the rectifier recording pre instead of the Quad and the out to the amp and cab as mentioned above. Sometimes I'll run the recto pre direct as it was designed to do. Sometimes putting a mic on the Subway Rocket at low volume produces awesome results, or unplugging the speaker and lighting up another recto 4x12 with the little bad boy also works well.

C- I don't always use 3 chains, but sometimes I'll run into the Fractal Axe-FX II and come out in digital direct to the board. This digital box is pretty amazing on it's own, but I need tubes, and a lot of 'em

Two or three of these chains will be mixed together. Or, I'll simply use one if I like it better than a mix of 2 or 3. I like to remain constant whenever possible, but sometimes the song calls for something different because of other production things going on, like a bass track needing to be larger, or the other guitarist's production choices.

An important thing to note is mic placement. I like to use the matched pair of 121's that I have, the Royer ribbon sound is organic, but brutal! I like to close mic about a few inches off the grill, hit the outside of the speaker, not the cone and then tilt the mic downward or diagonally off-axis so the highs don't rip my face off, and I don't have to do what I refer to as "salvage EQ" later on. It is wildly important to get the best possible native sound and not have to correct it later with EQ, rather enhance it with EQ. I used to use a combination of a 414 with a 421 or 421 with a 57, but after I got the Royers I never looked back. One mic per cab and I find a great sound quickly and no phase issues to correct later on. I must be the only idiot on the planet who never liked the sound of a 57 alone.

Another important thing to note is the mic preamps used. They can color your sound just as much as the amp you plug your guitar into. In the studio, we have Avalons, Grace, and some other cool boxes, but the one I have been stuck to is the Chandler Limited TG-2 Abbey Road Special Edition. There is no EQ on it, it is just 2 channels of fatness. The Avalons are awesome for a more "sterile" (not in a bad way) sound, and I like them better for acoustic. But when it comes to crunch guitar, the Chandler rule supreme.

I like to use the Avalon mastering compressor on the guitars from time to time. I also like the Waves SSL collection for EQ and compression too if I can't get my grubby little paws on the Pultec.

As far as effects go, I use my Eventide Eclipse, and the Eventide Anthology plugin which pretty much has every Eventide box ever made in one package. Also to note there are some cool things inside Waves GTR3, especially for layering clean and semi broken up parts. They have some modern effects that give the guitar a bigger sonic landscape and provide me with production ideas that I had not considered.

I'd be interested in hearing what everyone else likes to do.

_________________
2-TriAxis / 2-2:90 rigs
Quad /2:95 rig
Subway Rocket
Rectifier Direct Preamp
Stereo 2:Fifty
2-4x12 Recto Std
2-2x12 open back
Mark IV Combo
Maverick 2x12 Combo
DC-5 Combo
Axe-FX II
ADA MP-1 made on day #2 of production
Eventide Eclipse


Top
 Profile  
 
Display posts from previous:  Sort by  
Post new topic Reply to topic  [ 99 posts ]  Go to page Previous  1 ... 3, 4, 5, 6, 7  Next

All times are UTC - 6 hours [ DST ]


Who is online

Users browsing this forum: Bing [Bot] and 1 guest


You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum

Search for:
Jump to:  
Powered by phpBB® Forum Software © phpBB Group